Four improvised poundings, a drum, a pair of sticks, a metal plate, a pair of dowels, a heavy cymbal, a large room, a small squirrel, a static listening, a punishing listening, a boring listening, a quickening listening. C60, edition of 100.
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Four improvised poundings: a drum, a pair of sticks, a metal plate, a pair of dowels, a heavy cymbal, a large room, a small squirrel, a static listening, a punishing listening, a boring listening, a quickening listening.
Tim Feeney composes, improvises, and builds environments in and for forests and grain silos, specifically concerned with unstable sound and duration. He appears in bookstores and basements with Sarah Hennies and Greg Stuart as the trio Meridian; in galleries and libraries with Vic Rawlings and Annie Lewandowski; in colleges and museums with Andrew Raffo Dewar, Holland Hopson, and Jane Cassidy; and in the occasional festival or concert hall with Anthony Braxton, the Alabama Symphony Orchestra, or the inhabitants of the California Institute of the Arts.
credits
released July 17, 2018
Composed and recorded by Tim Feeney, Tuscaloosa, AL
The experimental drone artist used different lights while recording to help him explore habitat and family on this album. Bandcamp New & Notable Jan 29, 2021
supported by 13 fans who also own “MFCS K | Tim Feeney - Burrow”
This was a dadaist event for me. The quiet flows and clicks made me wish my inner ears moved from my skull and closer to the diaphragms of my headphones. William Stryjewski