MFCS M | Reception | Apologist | Marginal Frequency

MFCS M | Reception

by Apologist

supported by

Ueda Takayasu(Unfinished House) thumbnail

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

$4 USD or more
Cassette + Digital Album
Live, processed sound. Aggression wearing an inviting cardigan. C24, edition of 100.

Includes unlimited streaming of MFCS M | Reception via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 2 days

$4 USD or more

	1.	Belle Epoque 11:44
	2.	Tender Years 11:45

about

Post-structuralist musician Apologist: Born east of Appalachia in the 1980’s. In Philadelphia, embarked on a sabbatical from human contact that produced "Houston" (No Rent Records)... musical work of an androgynous nature dealing with protosexual themes, continuing with "Reception." Apologist is also a prolific collector of oppressive sound.

For most of 2010, led a hippie cult to find in the process that such an organization is best limited to self. Worked through these findings, on the lam from followers, in New Orleans, 2012.

By early 2014, thinking about music, and if utilization of techniques of abstraction and Cubism in sound could have merit it all. Later, now, much of Apologist’s work thus renders virtually unintelligible to even educated interpreters of process in recorded music.

Apologist was once one of those admirable do-alls, aggressive executors of all work, thoroughly occupied with the welfare of their employers and of themselves, while firmly convinced that everything before her eyes should by contrast become remains of a scorched earth. “Oh but it is, dear,” was once her answer to any question.

"Reception," then, is a human processing dark thoughts/feelings/experiences, reducing such impulses into something pretty, consistent with descriptions of her work as “highly confessional ambient”.

AJ

credits

released December 13, 2019

Thank you, Ashley
Recorded March, 2019

engineer, design: A.F. Jones

2019 Marginal Frequency, all rights to Apologist

license

some rights reserved

about

Marginal Frequency Washington

Marginal Frequency is a small batch record label operating in Kitsap County, WA.

contact / help

Contact Marginal Frequency

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

If you like MFCS M | Reception, you may also like:

Solum
by Fraufraulein

supported by 12 fans who also own “MFCS M | Reception”

After 25 minutes of wandering piano keys, gurgling and whirring electronics, unidentified field recordings, solemn French horn and plucked bass, we reach something resembling a “song” at the tape’s end. It’s not the destination, but the journey, some might say, but in this case, the earthy headphone muck asks if the dream quest ever truly ends. https://www.vikingschoice.org/archive/amp-stacked-ambient-japanese-folk-black-rave/ Lars Gotrich
go to album
"houston" (NRR67)
by apologist

supported by 11 fans who also own “MFCS M | Reception”
go to album
Weird Undying Annihilation
by Haptic

supported by 11 fans who also own “MFCS M | Reception”
go to album
Noise in the Key of Life
by Noise in the Key of Life

featured on Bandcamp Radio Sep 27, 2022
go to album
Pluperfect Mind
by Dear Laika

On her remarkable debut album, Isabelle Thorn winds together electronic noises with acoustic reverberations. Bandcamp Album of the Day Oct 27, 2021
go to album
Amaro
by Jeremy Young

The new album from electroacoustic composer Jeremy Young is draped in a sense of mystery, tones flickering gently, like an old home movie. Bandcamp New & Notable May 9, 2021
go to album
The Actress
by Vanessa Rossetto

supported by 10 fans who also own “MFCS M | Reception”

This goes crazy. Never heard something like this. What an experience and definitely opened and inspired my creative eyes, ears, body, and soul abstractshine
go to album